A Night at Fisch Haus

I’m excited to get to be part of the Fisch Haus Tuesday Night Jazz Series–

A group of ten or so poets will read their work, and then will be accompanied the second time through by musicians improvising based on our reading.  I can’t imagine how that’s going to work out, but part of me is tempted to read my poem like Flo–

Don’t worry.

I won’t do it.


Why don’t you come see?

Fisch Haus @ Tuesday, April 11 : 7:30pm

River City Poetry

buffetI like the buffet as much as anyone.  I can stack my plate as high as I want.  If I don’t like it, I don’t have to finish it.  And if I can’t eat it all, who cares?  I’ll just dump it and go back for something else.

I actually hate buffets.  Human-horse troughs of congealing food.  All the precious smells get swirled together, and people take pride in that stack of plates.  I typically feel guilty, too, if I don’t eat enough to equate out to the value of the price of all I CAN eat.

But I do like the idea that my life is like a buffet plate.  I can put as much as I want on that plate.  I can shuffle things off if it turns out that I don’t like the taste of something.  And I have gotten to taste some great experiences over the last ten years.

I have also realized that I have a larger appetite than I gave myself credit.  For years, I’ve dreamed of running my own poetry anthology.  When I was in the Wichita State MFA program, I began to map out my own aesthetic for such a journal.  But I never did anything with it.  I worked for other people’s journals, reviewed submissions, worked out publishing budgets with submission fees, juried contests for youth and adults, and went through my own struggles as a poet to get published.  The whole time, I felt a great inadequacy for starting anything myself.  I’m too busy.  My teaching load is too heavy.  The girls are just at that age.  I’m committed to this or that at church.  And it’s not like I have time to write my own poetry.  My plate’s just too full.

But it really came down to the idea that I’m just not qualified.

It’s the same feeling I carried around for years about poetry.  It’s why I got an MFA in Fiction instead of Poetry.  It’s why I’ve avoided being labelled the ‘teacher poet’ that writes ‘mommy’ poems.  And I suppose there are folks out there that would agree that I’m NOT qualified and that my poetry remains two-dimensional.  But at this stage, I would just encourage those folks to head on down to the other side of the buffet where the wasabi peas and cucumbers are kept so that they could get something on their plates more to their tastes.

River City Poetry will be several things, but first–a poetry website.  We’ll use the model of small independent presses everywhere, but the internet will be our primary media.  We’ll showcase ten poets in the fall and ten poets in the spring.  We’ll run a summer writing marathon with daily posts and prompts in June.  And we’ll make it a special point to review chapbooks–because these little golden minutes of work never get the kind of attention they deserve.  We’re also going to be active collaborators in the Wichita area, tapping into the energy so inherently part of this place.

The website is currently under construction with a ‘soft’ open in May.  Want to be considered for our summer sampler of poetry?  You can submit up to three poems to rivercitypoetrysubmissions [at] gmail.com .  Our summer sampler will be a one-time issue meant to high light the aesthetic we want to encourage in future submissions.  Our first full reading period will be in August and September.

I sure am looking forward to it.  Come be a part of River City Poetry with me.

The Poet’s Companion

This blog post was recycled from the original post in July of 2013.

While I have taken any number of fiction courses, and I definitely remember the hours I spent in survey courses as an English undergrad, I took no poetry classes.  I did manage to take one poetry workshop, but I remember little of it.

During the Tallgrass Writing Workshop [2013], I was excited to get to spend time with Amy Sage Webb.  Not only did she critique ten of my poems, she gave me a list of suggested reading to help me broaden my education and understanding of poetry. As I work my way through the list, I’ll be sharing some items here.

Poet's companionThe first is probably familiar to many poetry students in workshops across the country: The Poet’s Companion.  This book has been both insightful and accessible.  While I have experience with literary criticism, I was looking for something more along the lines of The Art of Fiction.  While instructional, it is definitely NOT dry.

What are your favorite ‘writing manuals?’ Do you have volumes that you return to over and over?  Leave your thoughts in the comment section below.

Reviews for Sand River are here!

The Shocker, the alumni magazine of WSU, has included Sand River and Other Places I’ve Been on their Shocker bookshelf!  Go here to read the review (along with Rob Grave’s Nightmarism-just keep scrolling down).

Now that you’ve read that review, here are two more!

From poet Michele Battiste

Nothing is what you expect it to be in the places that April Pameticky has been. And yet, after she reveals the truth of things, you say to yourself, “of course.” Of course courage is “a sister-cluster of dryer lint and dirt.” And certainly grief eats cereal straight from the box while it snuggles next to you on the couch. Pameticky takes us through the looking glass, where a world often considered pleasant but banal – the world of wife and mother and middle school teacher – is transformed into a darker, dangerous, but far more fascinating realm.

Michele Battiste is the author of the poetry collections Ink for an Odd Cartography (2009) and Uprising (2013), both from Black Lawrence Press. She is also the author of four chapbooks, the latest of which is Lineage (Binge Press, 2012). Her work has appeared in American Poetry Review, Anti-, The Awl, Mid-American Review, and Women’s Studies Quarterly. She lives in Boulder, CO where she raises funds for nonprofits undoing corporate evil.

From poet John Jenkinson

Generous, smart, and musical, April Pameticky’s first chapbook, Sand River and Other Places I’ve Been, presents the reader with a Baedeker of the heart. From Sand River to Blackwell, middle-school to “the corner,” “from elm to oak,” Pameticky’s poetry vibrates with wit, intelligence, and a lively lyric voice given to stunning turns of phrase and wry observation. “The truth is not always true,” urges the poet, as she strokes us “to a mild whimper” – or a wild roar of realization. April Pameticky is real – each poem “a fist landed with precision,” and this brief collection, Sand River and Other Places I’ve Been, a necessary and welcome addition to the 21st century bookshelf.
John Jenkinson, author, REBEKAH ORDERS LASAGNA

Jenkinson has received an AWP Intro Journals award, the Ellipses Prize, a New Voices Award, a Balticon Science Fiction Award, and awards from Kansas Voices.  His work appears in a variety of journals and anthologies including Slipstream and The Mennonite. He has published several chapbooks with B.G.S., Hard Knocks, and Basilisk presses, and his first full-length collection, Rebekah Orders Lasagna, has just appeared from Woodley Press.

Buying Sand River and Other Places I’ve Been

Convinced? Travel here to put your order in directly to Finishing Line Press for Sand River and Other Places I’ve Been.  Help me ensure a large and significant print run. Did I mention that it’s my birthday?

Change The Rules Poetry Slam + Featured Poet–Popeye Gwinn

There just aren’t enough hours in the day to do all of the things I want to do! I did, however, make time to go see the poets and readers at the Change the Rules Poetry Slam sponsored and organized by the Wichita Area Sexual Assault Center.

change the rulesAnna Murdoc’s Cafe sits on the corner of William and Market, blending some of the best brewed coffee in town… and the eats are unbelievable.  The special last Wednesday night (April 17th) was Indian Tacos and the smell made me want to eat my tongue.  The crowd gathered slowly–I was a little worried at first.  Two suits sat near me and their loan masculinity made me feel awkward for them.  But it was wasted sentiment.  By the time the show got started, it was standing room only, and I gave up my stool so someone could at least have a counter to drip their Indian taco over.

I wish I could share with you more of the poems from the evening–many were from the selected works of Eve Ensler, author of the Vagina Monologues and creator of V-day –the global movement to end violence against women.

But for me, one poem really stood out, in both its delivery and in its breathtaking honestly.  No one was more surprised than me to find that the poem that would emotionally move me the most was written from the male perspective, especially as that night was really about Female Empowerment.

I am grateful that Joshua “Popeye” Gwinn decided to let me share his work here:


By Popeye

Her touch is electric fire
fueled by my desire
like walking on high wires with no net
i’ve already fallen,
on that u can bet.
Her smile is that of angel’s child
born from pure innocence with the known tendency to get  a wild and out of control
she warms my soul
how i had bright days without that heaven.
i’ll never know
We’ve been together for a while
and i know this women inside and out..mostly.
for there is another closer than me
but he wasnt suppose to be,
or then again maybe he was
because at the end of the day i am not the judge
nor the jury
just the one who must watch the daily execution of her beauty in a fury
and truly i cannot confirm nor deny that
sometimes I am the reason she cries
but sometimes i know ive done no wrong,
sometimes i know im just the newest music video to an age old song
she holds onto
if only because the track marks her heart
and in her memory is where i wish it wouldnt start
but as soon as the song kicks on she escapes from my arms
where she truly belongs
and runs back into her childhood where things didnt turn out so well.
she got good grades and stayed out of jail
because her home was its own sweet little hell
a mental prison but the sentence was physical torture
like putting a chalk outline where there once was a beautiful sculpture
and the fact is
there is nothing i can say or do
but sit there with tears in my eyes watching her mind
once again break into two
different pieces of her former self
one of love and one of fear
and its the love she puts on the shelf where it collects dust
because she has one of the most tragically warped senses of trust
and while my tears fall with the same velocity as hers
she sees it as absurd
Making me both a victim and the accused
because it breaks me to see her hurt but by another mans touch she was abused
so i am just as guilty as he was and as innocent a she was
and because
of that i must forever fight off her nightmares and her demons
her fear of kissing due to the taste of his semen
this rerun
is more of an eternal curse
and the waking up in the nights screaming
those parts are the worst
trying to get her mind to sleep
knowing that in both her waking days or dreaming night his memory can creep
Knowing that she carries a weight of shame and blame and guilt
and because of that more tears than blood have been spilt.
her self esteem has turned to grieving as she alone mourns the death of her courage
as she has put all pleasant memories of her childhood away in her sub conscience storage
her innocence has come at quite a cost
but all is not lost
and it can’t be
because at the end of the run down memory lanes main street
she every so bravely
reaches out for me as if it is HER who must save ME
and in that moment i can see
that very briefly
she has a light at the end of the tunnel
even if its me shining a flashlight at her beautiful eyes through a funnel
i will save her because she saved me
he had made me the villain but she sees me as a hero
and it is my blessed duty from this point on to make the times she is unloved or alone
add up to and forever be zero!
from her side i will never waver
you see the final tally is our favor
because of the memories of her father she has compiled.
i may never be one
she was never allowed to be a child
so I may never have one
so she will always have one
when i count the things in this world i cant live without
i will always have one
when her memory tells her theres no way out.
she will always have one!!
i share his gender so i carry his blame
victim or accuser
by proxy its all the same
but when the nightmare cease.
when the screaming in the night ends
when she starts putting back the pieces
and lets her heart truly mend
that is when the picture will start to become clear
that there will always be something for her nightmares and demons to fear
that thing that stands beside her.
that thing that stands right here
her darkest of days may not be behind her
and in contrast make her bright ones seem bleak
but one thing that has been undone is she will again be alone or seen as weak
because shes stronger than she knows
she stronger than she was
and even if she doesnt see it
i will forever be
the one that does!